Ben hur film. Production of Ben 2020-01-13

Production of Ben

Ben hur film

The Israeli actress , a relative newcomer to film, was cast as Esther on May 16, 1958, after providing a 30-second silent screen test. Heston, an experienced horseman, took daily three-hour lessons in chariot driving after he arrived in Rome and picked up the skill quickly. Heater was an American opera singer performing with the in Rome when he was asked to do a screen test for the film. A cafeteria capable of serving more than 5,000 extras in 20 minutes was also built. He felt Tunberg's draft was too much of a morality play overlaid with current Western political overtones, and that the dialogue was too modern-sounding.

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Production of Ben

Ben hur film

One of the most notable moments in the race came from a near-fatal accident. Local actors also portrayed charioteers. The chariots were also returned to the U. Dynamite charges were used to show the chariot wheels and axles splintering from the effects of Messala's barbed-wheel attacks. Heston says that he was the one who suggested that Wyler cast who had played the mother of Heston's Moses in The Ten Commandments, and with whom he'd worked on Broadway as Miriam. The 70mm lenses had a minimum of 50 feet 15 m , and the camera was mounted on a small Italian-made car so the camera crew could keep in front of the chariots. Several sets still standing from Quo Vadis in 1951 were refurbished and used for Ben-Hur.

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Production of Ben

Ben hur film

Out of respect for the divinity of Christ, and consistent with Lew Wallace's stated preference, Wyler decided before the production began that the face of Jesus would not be shown. I spent sleepless nights trying to find a way to deal with the figure of Christ. The writing effort changed direction when Franklin fell ill and was removed from the production. Wallace refused to allow any theatrical production which depicted Christ to go forward, so a beam of light was used to represent the presence of Jesus. Vidal also added small character touches to the script, such as Ben-Hur's purchase of a brooch for Tirzah and a horse for Messala.

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Production of Ben

Ben hur film

Wyler had to persuade to appear in the film, because Hawkins was unwilling to act in another epic motion picture so soon after. The soundtrack was recorded in six-channel stereo. The Romans were the aristocrats in the film, and Wyler believed that American audiences would interpret British accents as patrician. For the sequence where Messala is dragged beneath a chariot's horses and trampled to near death, Boyd wore steel armor under his costume and acted out the close-up shot and the shot of him on his back, attempting to climb up into the horses' harness to escape injury. Another urban legend states that a red can be seen during the chariot race. Widescreen cinematic technology, however, limited depth of field.

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Production of Ben

Ben hur film

Dunning says he then directed most of the below-decks scenes, including the sequence in which Quintus Arrius' flagship is rammed. Unlike previous efforts for films set in the distant past, RĂłzsa quoted no ancient Greek or Roman musical themes in his score. Notable instances of this occur when the injured Messala waits for Judah Ben-Hur to appear in the racecourse surgery, when Judah Ben-Hur hides behind a rock to avoid being seen by his mother and sister in the Valley of the Lepers, and during the Sermon on the Mount. By the end of the production more than 1,000,000 pounds 450,000 kg of plaster and 40,000 cubic feet 1,100 m 3 of lumber were used. Tunberg cut out everything in the book after the crucifixion of Jesus, omitted the sub-plot in which Ben-Hur fakes his death and raises a Jewish army to overthrow the Romans, and altered the manner in which the leperous women are healed. The changes, however, solved the problems the camera crew was encountering. I wanted to be reverent, and yet realistic.

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Production of Ben

Ben hur film

Libya, which was at war with Israel, had enacted legislation in 1957 banning any individual or company from doing business with Israel or Jews. Other elements of the circus were also historically accurate. Vidal's working style was to finish a scene and review it with Zimbalist. Tunberg agreed to share credit, but the Guild refused to change its ruling. The dispute over who would receive screen credit quickly became a public one.

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Production of Ben

Ben hur film

Boyd was a contract player at 20th Century Fox when Wyler cast him. Vidal said that he believed that Messala's vindictiveness could only be motivated by the feeling of rejection that a lover would feel, and suggested to Wyler that Stephen Boyd should play the role that way, and that Heston be kept in the dark about the Messala character's motivations. However, the claims the filming permit was revoked in Israel for religious reasons as well although when is not clear , and no footage from the planned location shooting near Jerusalem appeared in the film. It is a very challenging thing to do that and get no complaints from anybody. However, a number of countries—including France, Mexico, Spain, and the United Kingdom—were also considered. Dunning claimed to have directed most of the critical scene in which Quintus Arrius first confronts Judah Ben-Hur on the galley, as well as the following segment in which Arrius forces the slaves to row at high speed. William Wyler originally wanted Heston for the role, but sought another actor after he moved Heston into the role of Judah Ben-Hur.

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Production of Ben

Ben hur film

The sea battle was one of the first sequences created for the film, filmed using miniatures in a huge tank on the back lot at the in in November and December 1957. Location shooting in Africa was actively under consideration. Wyler authorized his long-time , , to edit The Big Country as he saw fit—including the shooting of a new finale, which Swink did. Over 250 miles 400 km of metal tubing were used to erect the grandstands. Some of the dialogue in the scene, he says, was shot by Wyler, but most of the rest including the high-speed rowing was shot by Dunning himself. A massive backdrop, 200 feet 61 m wide by 50 feet 15 m high, was painted and erected to hide the city and hills in the background.

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Production of Ben

Ben hur film

It was filmed largely at CinecittĂ  Studios. RĂłzsa's score has since seen several notable re-releases. The racecourse surface proved so soft that it slowed the horses down and a day of shooting was lost as the yellow rock and all but 3. Zimbalist had initially chosen director Sidney Franklin to helm the picture, and Tunberg consulted with Franklin about the script. Vidal broke the scene in two, so that the men first reunite at the Castle Antonia and then later argue and end their friendship at Ben-Hur's home. Among them were Giuseppe Tosi, who had once been a bodyguard for.

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